SAMPLE SECTION: Explore A Few of Our Favorites


Art Projects Sample Pack

Thanks for your interest in the digital platform of our ARTreach 180 curriculum. In this section you will find a few of our favorite and most successful art projects to give you a feel for various mediums, themes, and levels of difficulty. If you want to see more, email me at gmoore@crosswalkusa.org and I'll send you more. I’m always here to answer questions too.  Feel free to download these to experiment with later or just browse to get a feel for how to use the curriculum. Whatever the reason, we’re glad you stopped by!


Hard copies available on Amazon and at

https://crosswalkusa.org/artreach180curriculum/


Blogs, demonstration videos, and training modules 

coming here soon!



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DOWNLOAD SAMPLE ART LESSONS HERE



As a high school music and drama teacher for more than two decades, I saw firsthand how involvement in arts programs became a lifeline for many students, providing them a sense of belonging, giving them a creative outlet to process difficult emotions, connecting them with caring, consistent adults, and offering them a pro-social activity in which to participate during after-school hours. Because I was already volunteering with Crosswalk, a faith-based organization I had co-founded in the 90’s to work with youth inside juvenile detention facilities, we organized and launched a pilot called Common Ground to take the arts behind the razor wire in 2007. Guest artists were brought in regularly for six to eight weeks to teach classes in dance, drama, music, and visual art, culminating with a performance and art gallery to which parents, state officials, facility staff, and non-participating youth were invited. The concept of ARTreach 180 was born as a natural extension of that effort after two years of program evaluation indicated positive results across the board. It was during those two years that we also began researching evidence-based programs to analyze and compare prevention vs. intervention strategies. It soon became clear that since our intervention program had seen significant results with youth who were already incarcerated, it was likely that a prevention program with youth in the community who were on probation or considered “at risk” would yield similar results and reduce or eliminate their involvement in future delinquent behavior.

The pilot of the ARTreach 180 program took place in 2010 at Patrick Henry Academy, in Stockbridge, Georgia, targeting students ages 13-17 who were referred by teachers, school social workers, counselors, or juvenile court. This site was chosen because as the alternative school in the county, it offered no after-school activities for students who had been expelled from their regular schools. With more than 75% of juvenile crime and victimization occurring statistically between 3:00 p.m. and 7:00 p.m. on schooldays, it only made sense to fill that gap. With a growing staff of paid professionals and trained volunteers in three locations, ARTreach 180 continues today, meeting twice a week from 3:30 to 6:30 pm to provide a safe space for teens to belong in a pro-social environment, to share their struggles, to learn new skills in the arts, and to embrace a new vision for their futures, all built on a foundation of deep, authentic relationships.

After ten years in the trenches with adolescents, we can unequivocally affirm our original theory of change as outcomes from the program have been significant. More than 94% of our students self-report that they learn to resolve conflicts and express their emotions more appropriately than when they first began the program, and the recidivism rate for our youth on probation is less than 7% compared to the national average of more than 50% coming out of lock-up. The cost for each youth to participate in the program in our county for ONE SCHOOL YEAR is less than $1500 as compared to the average cost of $309.21 PER DAY in our state’s detention facilities, almost $113,000 annually.* More impact at less than 2% of the cost tends to be a game-changer with policymakers and corporate or foundation sponsors.

The "Why Art" section serves as the introduction to explain its purpose in the big picture. While each part of the entire curriculum can be effectively used independently or to supplement other programs, we have found Aristotle’s assertion to be conclusive: “The whole is greater than the sum of its parts.”  Even the “Family Mealtime,” where staff and students gather around the same table and have face-to-face conversations over a meal or snack, is a vital relationship-building part of our time together. It has also provided a way for us to engage our community with many local restaurants, businesses, and churches graciously providing food for the program to help us reduce costs. Many students who were resistant to the program activities at first have been won over by a few good meals together.

This is not easy work, folks, by any stretch, but I am convinced it is some of the most impactful work on the planet. In a society where image is everything and shame runs rampant, teenagers are crying to be heard, to be seen, and to be truly known. Their social media smiles belie their fundamental need to connect and be real with peers and adults they can trust. That’s where the magic happens—where they take the first step in the journey of self-discovery—and one by one the bricks in their walls come down. Your mission, should you choose to accept it, is to change the world—one student at a time. Thousands of kids need a hero who is strong enough to go the distance, to dive deep, and never give up. So go ahead. Adjust your cape, and let’s get started!

                  * Sticker Shock 2020: The Cost of Youth Incarcertaion. Justice Policy Institute, Washington, D.C. 

                    July, 2020.                                                                                       

                    State data sources available online at  
                    https://justicepolicyinstitute.box.com/s/i830t7hw58t6h7tj02qu4fdp8a755w2u

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Art Sample Pack Table of Contents:


  • What is ARTreach 180? Introduction
  • Why Art?
  • Three of our favorites:

               

               o Emotional Mess

               o ID Cards                    

               o Shattered Selfies              




Please note that I have included some suggested facilitated discussion topics to pair with each

of the art projects. You may use those suggestions to develop your own discussion guides or explore

our companion “77 Dive-Deep Discussion Guides” component. I’ve also included those pairings

in the sample section of the full manual available for browsing and downloading, which may give

you a better idea of how they work in tandem.


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WHY ART?

The art projects in this program would probably not be considered “art therapy” in the strictest sense of the word. Instead, they are therapeutic art—and there is a big difference. Our art projects are always connected to a theme related to youth development, social-emotional learning, conflict resolution, or processing pain. In conjunction with the discussion circle for the day, we have found art to be a powerful visual reinforcement of the theme. The tactile element involved in the therapeutic process is often very personal and private as teens connect the project with the prior discussion in the circle. Creativity, problem solving, self-expression, stress relief, and even marketable skills are additional benefits from the visual art component.


Some things we’ve learned:

ALWAYS do a sample of the project as you plan the session. We have learned the hard way to NEVER try to facilitate a project that we haven’t tried beforehand.

This serves 3 purposes:

                 o It will give you a sample to show the students.

                 o It will help you determine the simplicity or complexity of the project.

                 o It will give you an idea of the time needed to complete the project.

The amount of supplies you will need for each project will depend on the number of students in your program. It is always better to have more than you need than not enough. With canvas and more expensive paper we have a policy of “one per customer” and encourage students to finish what they started. They invariably ask if they can start over. This is a teachable moment as we explain that art is like life--everybody gets only one. The mistakes that we make can be repaired, hidden, or used for good almost every time. Whatever your policy, make it clear to students at the beginning so that they will know what to expect.

Some projects require drying time before proceeding to the next step. When this is the case, the schedule will need to accommodate the drying time. Activities that normally come earlier in the lesson plan (such as team-building) can be moved to this time slot to allow for drying.

The artist statements and wind down time are essential to self-reflection. Don’t skip these steps after the art projects are complete. If you do a gallery exhibit or showcase at the end of the year, the artist statements can be typed and displayed beside the student’s artwork. This is another method of allowing their voices to be heard and helping them communicate with those to whom they might never have had the opportunity to say those things.

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EMOTIONAL MESS: Sharpies and Alcohol


Thematic Application: Adolescence can be described as one colossal mixture of emotions, and those emotions often spill out all over everything in their path in volatile combinations. This project is a relatively simple way to illustrate what that emotional mess looks like and begin a discussion about the necessity of emotion regulation.


Supply List:

11” x 14” poster board                                         Isopropyl Alcohol (at least 70%)

Sharpie markers                                                   Spray bottles or medicine droppers


Preparation: Print and display several Color Symbolism charts (search online or in art books to create these). Prepare tables for project work and have supplies easily accessible.


Procedure: Introduce the Color Symbolism Chart. Ask students to choose 3 or 4 Sharpies in the colors that represent the emotions they experience most often. They will color ½” to 1” borders around the edges of their poster board, alternating colors. These may be simple rectangles or scalloped edges or any creative border in full color. Once they have finished that step, they will drop or spray alcohol along one edge at a time, holding the poster up to allow the colors to run down the page. Let each dry before repeating the process until all 4 edges have been done. When the last one is dry, they will use a black Sharpie to write a word in the center that describes how they feel or typically respond to their emotions. The last step is to drop or spray alcohol on the word and allow it to drip down the poster. Get artist statements.


Wind Down: What would happen in day-to-day life if we fully expressed every single emotion we felt? What happens when several emotions run together? Share why you choose the word in the middle.


Suggested Discussion Topics:

  • Life at the Carnival (describe yourself with a carnival ride: roller-coaster, bumper cars, free-fall, house of mirrors, etc)
  • Boundaries (Why do we need them? What happens when we don’t have them?)
  • Emotional Eclipse: (Identifying emotions; Name them to tame them)
  • Letting Go: Getting rid of emotional baggage

Emotional Mess by Ruben Rojas

Fall, 2015

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ID CARDS: Mixed Media Collage


Thematic Application: This is an excellent project to do early in the semester since it will tell you a lot of information about the students in a non-threatening and creative way. If staff has theirs done before this session, they will be available to help students one-on-one and observe or discuss their choices of identifiers.


Supply List:

Large playing cards (e.g. Old Maid)                                  Pages of text torn from old books

Glue or glue sticks                                                              Watercolors

Cups for water                                                                     Brushes

Colored pencils                                                                   Paper towels

Scissors                                                                               Old magazines


Preparation: Prepare tables for project work and have supplies easily accessible. Display meanings of colors chart. Have samples to show students (staff can exhibit theirs as examples).


Procedure: Have students choose a book page and position the card over it to trace the exact size and shape. Then they will cut out the traced part from the page and adhere it to the card with glue to cover it. As the glue dries, they can look in the magazines for small images and/or words that describe themselves and cut those out to place on the card later. Once the glue is dried, they should look at the words on the page to see if any of them describe their personality or relate to them in any way. If they find words that do, have them circle those words with colored pencil. Then have them choose a watercolor to do a very light wash over the book page but leave the circled words unpainted. While the watercolor is drying, they can go back to looking for identifiers in the magazines, including cutting out letters that will spell their name for their card. After the watercolor is dry, they are ready to place the words and images including their names on the card. Don’t glue anything until everything is placed. Once they are happy with how it looks, they will glue the magazine cutouts onto their card. If desired, you can have them do a light coat of Mod Podge to create a glossy effect after it dries.


Wind Down: Bring all cards to a table and have everyone gather around them. Ask each participant to identify their card, tell why they chose the background color, and tell how 2 of the words or images on their card identify them.


Suggested Discussion Topics:

  • Core Convictions: How beliefs affect our behavior
  • I am: Identity and potential
  • Integrity: Being one with yourself; “integer” = “whole”
  • Out of Hiding: Letting yourself be vulnerable
  • Two-Word Advice: Words to live by

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SHATTERED SELFIES:   cut photos and glue on poster board


Thematic Application: Our students usually know their behavior patterns when they come to us, but rarely have they explored their unmet childhood needs or dominant fears that compel those behaviors. Consider doing the Journey Line drama activity the same week and have discussions about how major life events shape us into the adults we become. This project is best for mid-semester or later, once the students have established a level of trust and vulnerability.


Supply List:

At least 3 different selfies printed for each participant                       Glue

9” x 12” black poster board or black card stock                                   Scissors

Mod Podge                                                                                                Old brushes


Preparation: Prepare tables for project work and have other supplies easily accessible. Have students take several headshot selfies the week before and choose 3 favorites to send a designated staff member for this project. Have those printed in 8 x 10’s on photo paper.


Procedure: It is best if students have done the Journey Line first so they are prepared to discuss which event was most life-changing. If you are not doing that activity, then have them write down some of the most important events of their lives and write words to describe how those made them feel or changed their lives. It does not have to be a sad or traumatic event, but it could be something such as overcoming an obstacle, reaching a goal, or making an important decision.

Give each student their photos and tell them to cut them into pieces no larger than 2” x 2”—geometric or random shapes. Caution them to keep features whole instead of dividing them (NOT half an eye, mouth, or nose). They should include all details in some part of the piece (eyes, mouth, nose, hair, clothes, etc.), follow realistic order top to bottom, and fill the entire page. Once cut into pieces, analyze and play around with placement (think broken mirror). When they have determined the placement, have them start in the middle and begin gluing pieces into a cubistic collage, creating a shattered self-portrait so that they can be recognized although they are abstract and distorted. When this is done, they may use some of the words they wrote earlier around the piece if they choose to. Finally brush Mod Podge carefully over the entire piece to create a smooth finish.


Wind Down: Display the pieces on a table and have students share. When you look at your shattered self, what feeling does it evoke in you? What part of your life do you want to stay shattered? What part of your life would you like to put back together?


Suggested Discussion Topics:

  • Bailing Out: Stop bailing water and fix the boat
  • Childhood Feelings: How your coping strategies developed
  • Events in your life that changed everything
  • If Only: Accepting consequences
  • Letting Go: Getting rid of emotional baggage

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