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Dive-Deep Discussions Sample Pack

Thanks for your interest in the digital platform of our ARTreach 180 curriculum. In this section you will find our most effective dive-deep discussion guides for group facilitators. From dealing with the hurts of the past to the stressors of the present and beyond to the future, you’re sure to find many of these timely topics to be just what your group needs to navigate the journey toward adulthood. If you want to see more, email me at gmoore@crosswalkusa.org and I'll send you more. I’m always here to answer questions too. Feel free to download and try out a few of these or just browse to get a feel for how to use the curriculum. 

Whatever the reason, we’re glad you stopped by!


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As a high school music and drama teacher for more than two decades, I saw firsthand how involvement in arts programs became a lifeline for many students, providing them a sense of belonging, giving them a creative outlet to process difficult emotions, connecting them with caring, consistent adults, and offering them a pro-social activity in which to participate during after-school hours. Because I was already volunteering with Crosswalk, a faith-based organization I had co-founded in the 90’s to work with youth inside juvenile detention facilities, we organized and launched a pilot called Common Ground to take the arts behind the razor wire in 2007. Guest artists were brought in regularly for six to eight weeks to teach classes in dance, drama, music, and visual art, culminating with a performance and art gallery to which parents, state officials, facility staff, and non-participating youth were invited. The concept of ARTreach 180 was born as a natural extension of that effort after two years of program evaluation indicated positive results across the board. It was during those two years that we also began researching evidence-based programs to analyze and compare prevention vs. intervention strategies. It soon became clear that since our intervention program had seen significant results with youth who were already incarcerated, it was likely that a prevention program with youth in the community who were on probation or considered “at risk” would yield similar results and reduce or eliminate their involvement in future delinquent behavior.

The pilot of the ARTreach 180 program took place in 2010 at Patrick Henry Academy, in Stockbridge, Georgia, targeting students ages 13-17 who were referred by teachers, school social workers, counselors, or juvenile court. This site was chosen because as the alternative school in the county, it offered no after-school activities for students who had been expelled from their regular schools. With more than 75% of juvenile crime and victimization occurring statistically between 3:00 p.m. and 7:00 p.m. on schooldays, it only made sense to fill that gap. With a growing staff of paid professionals and trained volunteers in three locations, ARTreach 180 continues today, meeting twice a week from 3:30 to 6:30 pm to provide a safe space for teens to belong in a pro-social environment, to share their struggles, to learn new skills in the arts, and to embrace a new vision for their futures, all built on a foundation of deep, authentic relationships.

After ten years in the trenches with adolescents, we can unequivocally affirm our original theory of change as outcomes from the program have been significant. More than 94% of our students self-report that they learn to resolve conflicts and express their emotions more appropriately than when they first began the program, and the recidivism rate for our youth on probation is less than 7% compared to the national average of more than 50% coming out of lock-up. The cost for each youth to participate in the program in our county for ONE SCHOOL YEAR is less than $1500 as compared to the average cost of $309.21 PER DAY in our state’s detention facilities, almost $113,000 annually.* More impact at less than 2% of the cost tends to be a game-changer with policymakers and corporate or foundation sponsors.

The "Why Dive Deep?" section serves as the introduction to explain the purpose of these discussions in the big picture. While each part of the entire curriculum can be effectively used independently or to supplement other programs, we have found Aristotle’s assertion to be conclusive: “The whole is greater than the sum of its parts.” Even the “Family Mealtime,” where staff and students gather around the same table and have face-to-face conversations over a meal or snack, is a vital relationship-building part of our time together. It has also provided a way for us to engage our community with many local restaurants, businesses, and churches graciously providing food for the program to help us reduce costs. Many students who were resistant to the program activities at first have been won over by a few good meals together.

This is not easy work, folks, by any stretch, but I am convinced it is some of the most impactful work on the planet. In a society where image is everything and shame runs rampant, teenagers are crying to be heard, to be seen, and to be truly known. Their social media smiles belie their fundamental need to connect and be real with peers and adults they can trust. That’s where the magic happens—where they take the first step in the journey of self-discovery—and one by one the bricks in their walls come down. Your mission, should you choose to accept it, is to change the world—one student at a time. Thousands of kids need a hero who is strong enough to go the distance, to dive deep, and never give up. So go ahead. Adjust your cape, and let’s get started!



* Sticker Shock 2020: The Cost of Youth Incarcertaion. Justice Policy Institute, Washington, D.C. July, 2020.

State data sources available online CLICK HERE





Dive-Deep Discussion Guide

Sample Pack Table of Contents:

  • What is ARTreach 180? Introduction
    • Why Dive Deep?
    • Four that we’ve used many times:

                  o Cliché Day 

                  o Life at the Carnival

                  o Thermometer & Thermostat

                  o Things I Should Have Learned

    • Activity Sheets (reproducible)


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    WHY DIVE DEEP?     Voice, Vulnerability, Validation


    Structured dive-deep discussions (or “circle time” as the youth like to call it) is in actuality nothing more than talk therapy. However, we avoid using the “T” word with these teens because many of them have had their share of therapy in structured and stiff environments that yielded little benefit because the formality fortified their defenses. Authentic vulnerability occurs organically in the flow of the ARTreach 180 curriculum, thereby enabling open sharing and active listening while validating each member’s story. This section is a critical and non-negotiable component of the ARTreach 180 curriculum for several reasons:

    •  It gives the teens a voice that they might not have anywhere else.
    •  It builds trust among the group as every member eventually will share something that makes him or her vulnerable.
    •  It focuses more on commonality rather than differences.
    •  It gives staff and youth alike an opportunity for self-disclosure in a natural, safe, and non-judgmental setting.
    •  It provides a logical connecting point to the thematic application of the art or drama project to follow.


    Some things we’ve learned:

    A discussion group on occasion will take longer than you anticipate. As long as it is productive and the entire group is engaged, we typically allow it to continue. If, however, there are several who are clearly distracted or if one or two students are monopolizing the discussion, the facilitator will need to respectfully shut down the circle with the assurance that they can continue the discussion as they participate in the structured activity. (or set an appointment time for discussing later)

    • What’s said here, stays here. Confidentiality is paramount and must be contracted and agreed upon by every participant when he/she begins the program. Exceptions must also be discussed at the outset so that youth will understand that staff is legally bound to disclose to authorities any information that compromises safety, including suicide ideations or the intent to harm another person. Furthermore, staff members are mandated reporters for any kind of abuse or negligence that might be disclosed during your time together. It is a delicate balance to create a safe place for discussion while at the same time ensuring public safety.

    Although there should be one main facilitator for the group, all staff members are encouraged to review the questions prior to the session and be willing to contribute. Staff should also do any written session activities before coming to group so that they can be available if students need help. Staff should not be afraid to disclose their own struggles insofar as they are appropriate and done to model vulnerability for the students.

    We have found it helpful to have an object (such as a small ball) to pass around as group members answer the question. If participants are not ready when the ball comes around, we allow them to pass for the moment, but we always go back to them before the circle is finished. If an answer evokes controversy or an emotionally charged response from several people at once, it usually only takes a gentle reminder of who holds the ball at the moment to restore decorum. On the rare occasion that chaos erupts, we will have already chosen a student leader or intern who on a pre-determined cue from the facilitator will simply stand up. Other staff members will follow one by one until the group is under control again. Of course, if the disruption continues and redirection is not successful, other means of gaining control will be necessary.

    • Because of the need for active listening, we insist that cell phones are silenced and either placed in a box in the center of the circle or in a bag or purse away from the circle area. This expectation is discussed at the beginning of the program and students and staff are asked to contract accordingly.

    • If you are doing snack time prior to the discussion, consider choosing a relevant and positive song that will begin playing at the end of the snack time as a cue that everyone is to finish eating, clean up their place, put their phones away, and move their chairs into the circle. As they become familiar with the song (chosen for the entire semester), they get a feel for how long they have to transition to group. We ask them not to bring food or drink into the circle, but they are allowed to keep it for later if they choose to leave it in a designated place with their name on it.

    • Above all you must create a safe community of which these teens will want to be a part. If they find space and grace rules over shame and blame in this place, they will keep coming back. Let your effort be first to love them, for only then will you impact them.

    • ONE FINAL WORD: I read recently that this generation of teenagers is the most privileged yet the most damaged of all generations before them. Suicide rates in this age group continue to rise, and mental health issues are commonplace in middle and high schools. The dichotomy between their social media images and their realities is alarming, and it is taking its toll in untold numbers. Please believe me when I say that students are aching for genuine relationships with adults they trust enough to be vulnerable. Your group might be their last hope. Don’t let them down. Let them know it’s okay not to be okay.




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    CLICHÉ DAY:       Some things never change


    Rationale for discussion: This is a fun and non-threatening way that you can learn a lot about your students early in the semester. Feel free to add your own favorite clichés to the mix.


    Before the Question:

    • Print and cut the CLICHÉ DAY visuals (pgs 97-100) on card stock paper
    • Hand them to random students and staff as they transition into circle.
    • Ask each person with a cliché to hold it facing the inside of the circle so that everyone can see and ask for a volunteer to begin.


    Primary Questions:

    • Which one of these clichés have you learned the hard way? Go get that card (trade if you have one already) and then tell us more.
    • Once a card has been used twice (3 times max), take it out of the mix so that all of them are discussed.


    Additional Questions to Consider:

    • Which one of the clichés is the hardest one for people in general to learn? Why?


    Related Art Projects:

    • Beauty in the Mess
    • Mistakes to Miracles


    Related Drama Projects:

    • Cliché Day
    • Fairytale Rewrite


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    LIFE AT THE CARNIVAL:    Informal assessment of well-being


    Rationale for discussion: Most of the time we are not privy to any sort of psycho-social evaluation for the students in our program, so this is an excellent exercise to do early in the semester to informally assess their emotional and social well-being. It also helps them to articulate how they feel about their current situation in non-clinical terms using symbols they are familiar with.


    Before the Question:

    • Print and display (or project) photos of the following amusement park rides: roller coaster, free fall, house of mirrors, cotton candy, bumper cars, carousel. You may also use the visuals provided on pgs. 122-124.


    Primary Questions:

    • Which of the amusement park rides best describes your life most of the time? Why did you choose that one?


    Additional Questions to Consider:

    • Is there another one of the rides you would rather have chosen?
    • What would need to change to get from one to the other?
    • Tell us about a time when things were different.


    Related Art Projects:

    • Blackout Poetry
    • Emotional Mess
    • Movie Poster
    • Too Much Tension
    • Two Hands


    Related Drama Projects:

    • Fairytale Rewrite
    • One-Word Play
    • This is Your Life


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    THERMOMETER & THERMOSTAT:      Following or leading?


    Rationale for discussion: Whether we like to admit it or not, most people tend to adjust their own temperature based on the temperature of those in the room. It can be a perfectly normal day until something happens to heat up the tempers of just one or two people. At that point it seems everybody’s temperature rises, thus all become thermometers. What would happen if we could become thermostats instead—changing the temperature of the room before everybody reaches the boiling point?


    Before the Question:

    • Clarify the purpose of both instruments and show examples (or pictures) if possible.
    • Dr. Martin Luther King, Jr. delivered a sermon in November, 1954, called “Transformed Nonconformist” in which he said that we should not be “like a thermometer conforming to the temperature of society” but we must be “like a thermostat serving to transform the temperature of society.” (Have the quote printed or projected for everyone to read.)


    Primary Questions:

    • Are you a thermometer or a thermostat most of the time? Explain why and/or how that is demonstrated in your life.
    • Describe a time when you could have changed the temperature of a situation but didn’t risk it. Did you later wish you had? Explain.
    • Has there been a time when you tried to be a thermostat and it backfired? Is there another way you could have changed the temperature with better results?


    Additional Questions to Consider:

    • How do you respond when someone tries to help you reset your temperature or cool down? If you’ve reached the boiling point, what would help you to self-regulate?


    Related Art Projects:

    • Fire & Ice
    • Light Within Me
    • Reflections


    Related Drama Projects:

    • Empowering Words
    • Got 2B True
    • Thermometer and Thermostat
    • Power Game, The
    • Taking Sides


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    THINGS I SHOULD HAVE LEARNED:     Cognitive dissonance


    Rationale for discussion: The psychological term cognitive dissonance describes the tension that exists within a person when his/her actions conflict with what he/she believes. For example, a young man believes it is true that smoking increases the risk for lung cancer, but he begins the habit of smoking anyway, clearly contradicting what he believes.


    Before the Question:

    • Print one THINGS I SHOULD HAVE LEARNED activity sheet, pg 173, for each participant and have pencils available.
    • Allow time for completing the activity sheet at some point before snack time and have a designated staff member put them in a folder until time to hand them back to their owners during transition into the circle.


    Primary Questions:

    • Tell us the top 3 things you feel you should have learned by now. What is the evidence that you haven’t learned them?
    • What motivates you to behave in a way that contradicts what you say you believe?
    • How would your life be different if there were no cognitive dissonance in your life in respect to these 3 things?


    Additional Questions to Consider:

    • Has anyone ever tried to teach you these principles that you haven’t learned yet? If so, did you respect that person?
    • What advice would you give yourself to help you learn these things?


    Related Art Projects:

    • Fire and Ice
    • Little Things
    • Mistakes to Miracles


    Related Drama Projects:

    • Advice to Yourself
    • Cliché Day
    • Don’t Have Time for This
    • One-Word Play
    • Rewind Scenes


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    LIFE AT THE CARNIVAL:



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    10 Things I should have learned by now:


    Name: _______________________


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